The X Factor

I didn't expect to end the week feeling like Simon Cowell. After all, on Monday I had very little in the diary and was focussed on covering Carole, Clean Slate's Ops Director, getting our 3rd birthday plans underway and keeping an eye on the shop, so to speak.

By Monday afternoon, however, I was in discussions about how I could be the face of financial inclusion to promote Quids in!, our money management magazine for people on low incomes. We want to build on its 140,000 sales to develop new products to help people look after their dough and fend off approaches from loan sharks and high interest lenders. There are campaigns to be run, events to put together and a Quids in! Members Club on Facebook to get going. I even got myself on Twitter. Twice. One for each hat. (@ontheslate and @yourquids in, if you're interested.)

It sounds very earnest but it's starting to be fun. The challenge is making these worthy and frankly middle-class intentions of any interest to people at the wrong end of 'less well off'. It's no mean feat pulling off a genuinely tabloid magazine, especially when it's sold to managers in the public and third sectors. We tie ourselves in knots ticking the boxes of political correctness while keeping things earthy. The near naked bodies on our healthy saver postcards raised a few eyebrows too.

Tuesday I went through a contract with one of Clean Slate's workless Temp Workers, Ugo, who we're helping to become a professional artist. I ran through how we'd front the investment to pay for materials and his time, how we'd represent him to retailers and customers, and handle the in and outs of the enterprise while he grows it to a point where he can go it alone if he wants to. I realised we were talking about a kind of record deal. Right down to the haggling over how much of the split of profits goes to the artist or the investor.

It wasn't part of the week's plan but it was one of those opportunities that social enterprises can make happen when various things line up. I'd been catching up with Bath Abbey on progress since they'd raised the £20k for us, (now approaching £25k), when I casually asked if we should approach Ugo about producing some canvasses of the Abbey for sale to the congregation. That's a win win win: progress, employment through enterprise, and ongoing income to Ugo and Clean Slate.

By great chance, the variation on a screen print process that Ugo uses means he can reproduce the artworks and produce them to scale. And they look phenomenal. Last week, Clean Slate directors had an away day and we said our role was not to find workless people jobs but to match them to the right jobs. We're so on the right lines with Ugo. And with our new venture, Clean Slate TalentShop.

So, the canvasses hit shops next Tuesday. Well, they'll be on display and on sale at Bath Abbey (and via our website, if I can get the technology working). And then we'll wait and see if Ugo and Clean Slate prove we have the X Factor.